If the four-year gap between Frank Ocean's debut studio album Channel Orange and his follow-ups Endless and Blonde felt long, it's now been over double the wai...
A surprise addition to the fall release calendar (and A24's packed slate) is the latest film from Krisha and It Comes at Night director Trey Edward Shults. Foll...
Since Spike Jonze hasn't announced a new feature project yet, we'll simply have to survive with gorgeously-shot ads-meet-short films that display the exuber...
We talk with the cinematographer about capturing a film of enormous amiability and vitality, as well as his early days studying under Éric Rohmer, working with Spike Jonze on a secretive Frank Ocean project, and his favorite film of the last year....
After helming one of last year's best films with The Fits, Anna Rose Holmer is continuing to flex her directing muscles. We recently saw her Moonlight-inspi...
When we shared a stream of Nicholas Britell's brilliant score for Moonlight last fall, we remarked how Barry Jenkins himself has said he wrote the script to...
If you haven't yet had the chance to see what's currently the most-acclaimed film of the year, thankfully Barry Jenkins' Moonlight seems to be expanding qui...
At Venice, he'll premiere one of our most-anticipated films of fall, the Nick Cave & the Bad Seeds documentary One More Time With Feeling, and now it lo...
After a few delays, Frank Ocean's Channel Orange follow-up, Blond, has now arrived and, with it, not only an additional visual album, but Boys Don't Cry, a maga...
